Allt som måste göras, 2026
Pennygångens konsthall, 12-14/7 2026Curators/producers: Clara Aldén & Ina Porselius
Participating artists:
Agnes Mohlin @agnesmohlin
Amalie Vestergaard Olsen @manualaaa
Clara Aldén @claralden
Helena Lund Ek @lundsmek
Ina Porselius @inaporselius
Jacqueline Forzelius @jacquelineforzelius
Johan Melander @jjohanmelander
Nadia Maghder @nadiamaghder
Åsa Båve @asa.bave
Photo: Hendrik Zeitler
Presented with the support of the City of Gothenburg
Pennygångens Konsthall is a nomadic exhibition project based in the Pennygången housing estate in Gothenburg. Founded in 2026 by Ina Porselius and Clara Aldén, the project explores how contemporary art can engage with the places and conditions of everyday life.
Pennygångens Konsthall’s inaugural exhibition is a group exhibition exploring the home and family life as subject, experience, and site. By staging the exhibition in a private apartment, the artworks are brought into dialogue with the environment from which they emerge. Visitors encounter the works in a lived-in home, where traces of everyday life and the rhythms of family life become integral to the spatial experience of the exhibition.
To visit the exhibition, visitors ring the doorbell and are welcomed into the family’s private home. The encounter between viewer and artwork takes place in an intimate, everyday setting, where the boundaries between the private and the public are temporarily renegotiated. The apartment is therefore not merely a neutral container for art, but an active component of the exhibition itself, giving the project a performative dimension.
The inaugural exhibition also marked Pennygångens Konsthall's first curatorial collaboration, bringing together invited artists whose works engage with questions of home, family, and everyday life. Installed in the apartment where one of the founders and her family continued to live throughout the exhibition period, the exhibition blurred the distinction between domestic space and exhibition space. Works were placed in relation to the rooms, objects, and situations from which they emerged, allowing the home itself to become an active participant in the exhibition rather than merely its setting.
Pennygångens Konsthall’s inaugural exhibition is a group exhibition exploring the home and family life as subject, experience, and site. By staging the exhibition in a private apartment, the artworks are brought into dialogue with the environment from which they emerge. Visitors encounter the works in a lived-in home, where traces of everyday life and the rhythms of family life become integral to the spatial experience of the exhibition.
To visit the exhibition, visitors ring the doorbell and are welcomed into the family’s private home. The encounter between viewer and artwork takes place in an intimate, everyday setting, where the boundaries between the private and the public are temporarily renegotiated. The apartment is therefore not merely a neutral container for art, but an active component of the exhibition itself, giving the project a performative dimension.
The inaugural exhibition also marked Pennygångens Konsthall's first curatorial collaboration, bringing together invited artists whose works engage with questions of home, family, and everyday life. Installed in the apartment where one of the founders and her family continued to live throughout the exhibition period, the exhibition blurred the distinction between domestic space and exhibition space. Works were placed in relation to the rooms, objects, and situations from which they emerged, allowing the home itself to become an active participant in the exhibition rather than merely its setting.
Johan Melander
Bär mig, 2025
Bär mig, 2025
Ina Porselius
På min mammas grav ska det stå: Här ligger en som plockade ihjäl sig, 2026
På min mammas grav ska det stå: Här ligger en som plockade ihjäl sig, 2026
Jacqueline Forzelius
Instämplingsdator hos en kompis arbetsplats 1:12, 2021
Instämplingsdator hos en kompis arbetsplats 1:12, 2021
Clara Aldén
Ett koncentrerat betraktande av smuts, 2026
Husets innersta funktion/mamma är på toa, 2026
Ett koncentrerat betraktande av smuts, 2026
Husets innersta funktion/mamma är på toa, 2026
Vabbsalongen, 2025-26
Clara Aldén
Dura lex sed lex/handen som tar i glasset, 2026
Dura lex sed lex/handen som tar i glasset, 2026
Nadia Maghder
Väntan, 2026
Väntan, 2026
Amalie Vestegaard Olsen
Huset på Den Sidste Plads (et forestillet hvilested for levende væsner), 2024
Huset på Den Sidste Plads (et forestillet hvilested for levende væsner), 2024
Clara Aldén
Pedagogik genom tvång/jävul varg, 2026
Non-professional object/Ler get, 2026
Hand with towel pressed against a bleeding wound/blod joar, 2026
Väggdekoration/slingra sladen, 2026
Pedagogik genom tvång/jävul varg, 2026
Non-professional object/Ler get, 2026
Hand with towel pressed against a bleeding wound/blod joar, 2026
Väggdekoration/slingra sladen, 2026
Åsa Båve
Handdukens vardag, 2026
Handdukens vardag, 2026
Agnes Mohlin
Ägg, 2024
Ägg, 2024
Ina Porselius
Var sak på sin plats, 2026
Var sak på sin plats, 2026
Photo: Hendrik Zeitler